Michel van der Aa (Netherlands, 1970) is one of Europe’s most sought-after composers today.
 For Van der Aa, music is more than organized sound or a structuring of notes. His music has expressive power, combining sounds and scenic images in a play of changing perspectives. Van der Aa's recent stage works show a successful involvement as a film and stage director as well as composer. “Van der Aa, stage director and mastermind as well as composer, pushes the boundaries of all of his media. This is the Gesamtkunst of the future.” (Financial Times) Van der Aa's works often include a theatrical element: staging, film and music are seamlessly interwoven. Dramatic personages take on various identities or have an alter ego; musicians on the stage interact with their electronic counterparts on soundtrack or film. The virtual space that emerges works its way into the mind of the audience. Sound, in Van der Aa’s book, is malleable: it can constantly assume other forms, sometimes recognizable, sometimes not. Van der Aa is in fact a playwright in music. His sounds – like real people – can be flexible or stubborn; they either take control or get the short end of the stick; they reinforce or counteract each other, affecting audiences with their expressive power.
Having completed his training as a recording engineer at the Royal Conservatory in The Hague, Michel van der Aa studied composition with Diderik Wagenaar, Gilius van Bergeijk and Louis Andriessen. His style, independent in spirit, is characterized by a constructivist approach and the use of rhythm and chords as structural elements. It is strikingly subtle, playful, poetic and transparent but not, however, expressive or melodious in the traditional sense.
In 2002 Van der Aa completed a program in film directing at the New York Film Academy. In 2007 he participated in the Lincoln Center Theater Director's Lab, an intensive course in stage direction. He was responsible for the stage direction as well as the conception and creation of the film segments in the operas One and After Life and the music theatre piece The Book of Disquiet. His film directing credits include the short film Passage as well as the television production of One for the Dutch national broadcasting company NPS. Passage has been shown at numerous international festivals and has been aired on Dutch national television.
 In applying staging, film images and soundtracks as additional instruments, he effectively extends the vocabulary of his music.
Van der Aa’s music has been performed by ensembles and orchestras worldwide, including the ASKO|Schoenberg, Freiburg Baroque Orchestra, Melbourne Symphony Orchestra, Ensemble Modern, De Nederlandse Opera, Mozarteum Orchestra Salzburg, BBC Scottish Symphony Orchestra, Seattle Chamber Players, New National Theatre Tokyo, musikFabrik, Continuum Ensemble Toronto, SWR orchestra Baden-Baden & Freiburg, Netherlands Radio Orchestras, Tokyo Sinfonietta, Norrköping Symphony Orchestra Sweden, Phiharmonia Orchestra London, and the Helsinki Avanti Ensemble.
Van der Aa has been a featured artist at the Perth Tura New Music Festival and Holland Festival. He is a regular guest of the Berliner Festspiele, Venice Biennale, Donaueschinger Musiktage, Gaudeamus Music Week, Huddersfield Festival, Schleswig-Holstein festival, Concertgebouw Saturday Matinee and Autumn in Warsaw. Additionally his compositions have been performed at the Festival d’Automne á Paris, LA Philharmonic New Music Series, Lucerne Festival, Tokyo Suntory Summer Music Festival, Music Biennale Zagreb, Moscow Music Week, Oslo Ultima Festival, and Budapest Autumn Festival.
Michel van der Aa's imaginative music theatre works, including One (2002), After Life (2005/06) and The Book of Disquiet (2008), have received international critical and public acclaim. The innovative aspect of these operas is their use of film images and sampled soundtracks as an essential element of the score. Staging, film and music are seamlessly interwoven into a collage of transparent layers, resulting in a work that is part documentary film, part philosophy.
In 1999 Michel Van der Aa was the first Dutch composer to win the prestigious International Gaudeamus Prize. Subsequent awards include the Matthijs Vermeulen prize (2004), a Siemens Composers Grant (2005), the Charlotte Köhler Prize for his directing work and the interdisciplinary character of his oeuvre (2005) and the Paul Hindemith Prize (2006).
Van der Aa is currently working on a revised version of his successful 2006 opera After Life in preparation for the upcoming revival by De Nederlandse Opera in September 2009 and by Opera de Lyon in March 2010. In May 2010 it will be presented semi-staged at the Barbican Centre in London.
Van der Aa’s music is recorded on the Harmonia Mundi, Col Legno, Composers’ Voice, BVHaast, and VPRO Eigenwijs labels.

Critically acclaimed as one of the world’s foremost chamber orchestras, the Netherlands Radio Chamber Orchestra occupies a special place within the boundaries of the rich musical landscape in The Netherlands. Forty strong in number, the ensemble constitutes the perfect vehicle for the performance of the Viennese Classics: Mozart, Haydn and Beethoven. The orchestra’s dedication to the classics is matched by its equally passionate and longstanding commitment to contemporary music. For just under six decades, the Netherlands Radio Chamber Orchestra has made a persuasive case for new music and has been awarded numerous distinctions for its eloquent renditions of challenging compositions.
To reflect its dual allegiance to the music of both past and present masters, the Netherlands Radio Chamber Orchestra opted for a unique system of dual chief- conductors: the world’s leading contemporary proponent, Peter Eötvös took on his position in 1994 and Frans Brüggen, a groundbreaking force in the authentic performance movement, joined in 2001. Frans Brüggen is responsible for historically informed performances of the Baroque, Classical and early Romantic repertoire. Thanks to Peter Eötvös the orchestra has gained international recognition as a specialist ensemble for modern and avant-garde music appearing at venues ranging from its home base in the Concertgebouw and Vredenburg concert halls (Netherlands) and at modern music festivals from Warschau and Donaueschingen to the Budapest Spring Festival.
The Netherlands Radio Chamber Orchestra was disbanded in 2005 and restructured under the name Radio Kamer Filharmonie.